When I first started producing music, I stick to the native Vst’s of my DAW application just because I never knew I could extend my Vst library with tons of.
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- A plugin effect is a signal processing device such as a reverb, delay, compressor or EQ, while plugin instruments take in, amongst other things, synthesizers, samplers, drum machines and sample-based recreations of real-world guitars, drum kits, pianos, etc.
Looking for a way to add some depth and movement to your tracks without spending a load of cash? Or do you want to incorporate some dubby effects without investing in a costly and temperamental tape delay device? Delay plug-ins could be the solution.
These delay plug-ins deliver all the benefits of hardware delay units with the convenience of software. Best of all, they’re totally free!
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Intro: About Delay Plugins
Delays are devices that add repeats or echoes to any sound that is routed through them. In the hardware realm, delays come in various types, from tape-equipped mechanisms to analog bucket brigade devices, to DSP units.
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In the software world, there are delay plugins that aim to replicate the sound and functionalities of classic hardware devices. There are also more fully-featured units that incorporate modulation, and various other features that go well beyond what typical delays have to offer.
Even with the advent of DSP units and advanced-algorithm delay plug-ins, many musicians and producers continued to prefer hardware delays for their immediacy and warmer sound. But many current delay plug-ins now come close to replicating the warmth and idiosyncratic sounds of hardware devices. Even free plug-ins now compare favorably to the most revered hardware delay devices.
Best Free Delay VST/AU Plugins
The List
Plugin Roundup
Voxengo’s Tempo Delay is a stereo delay plugin intended for a wide variety of production applications.
As the name implies, it is a tempo-based delay that enables the setting of delay times in musical values according to the specified BPM. It also has a tremolo and a filter section.
Like the delay values, these can be adjusted independently for the left and right channels.
The Tempo Delay packs on a wealth of features that would be impressive even in a “for pay” plug-in. This could easily handle the majority of your delay needs.
Lagrange by Ursa DSP is a stereo delay that ups the ante by incorporating elements of granular synthesis. By capturing grains from different parts of the delay buffer, this plug-in can crank out some truly wild and wonderful sounds.
Lagrange is fully capable of producing more typical delay effects of course. But a simple twist of the delay knob or the feedback control results in everything from resonant, metallic clangs to evolving alien soundscapes.
Even if you already have a delay plug-in that you’re happy with, the Lagrange is a worthy addition to your arsenal.
Valhalla’s Freq Echo is another delay plug-in that can handle more vanilla echoes and repeats like a champ. But where it really shines is in its ability to spit out anything from swirling flanging and phasing to some of the most psychedelic textures you have ever heard.
Despite its simple and utilitarian interface, Freq Echo is capable of an exciting assortment of sounds. It even does a great job at cranking out warm and enigmatic dub echoes!
Kjaerhus Audio Classic Delay is a bit more of a “typical” delay plug-in than the ones mentioned thus far, but it is certainly no less capable. Three modes are provided–Tape, Analog, and Digital–and each does a great job of approximating their associated modes without introducing any additional noise.
There is a “quality” control that allows you to introduce varying amounts of “imperfection”, adding to the realism of the sound.
Although the Audio Classic Delay doesn’t quite get into the freaky territory as readily as other more esoteric delay plug-ins, it can do some fairly outrageous effects care of the reversible feedback. A good, solid delay that should make a nice companion to your other quirkier plug-ins.
The WatKat is a clone of the Wem Watkins “Custom” Copicat that is billed as a “Tribute to Charlie Watkins”. Like the original hardware unit that inspired its design, the plug-in is noisy, unpredictable, and wonderfully lo-fi.
How closely it actually replicates the sound of the Copicat is up for contention. But one thing is for sure: the Watkat does add a lot of character to your tracks.
Cockos’ ReaDelay is part of the ReaPlugs FX suite that will be familiar to users of the company’s celebrated Reaper DAW.
ReaDelay is a multi-tap delay that can have individual delays of as long as 10 seconds, with practically no tap count limit.
Tap lengths can be set to time values or quarter notes. The option to choose one or the other is always good to have in a delay, and it is an especially nice touch in a free plug-in.
++audio’s Rubbadub excels at thick and dirty dub delay, but it can handle various other task as well.
The good range of modulation options make it capable of producing cool flanger effects, and there is even a variable filter for more creative options. Unfortunately, it is not available for download at this moment, and we don’t know when it will be.
Top Pick
All these delays are actually pretty good, and you really can’t go wrong with any one of them. Some are better suited to certain applications than others of course, as in the case of Valhalla’s Freq Echo’s capability to product modulated delays. But they can all handle a broad range of delay tasks, from standard echoes and slapback to flanging and chorusing, to more outlandish effects.
That being said, one plug-in stands out in particular: Voxengo’s Tempo Delay. With its array of features, its modulation options, and great sound, this is one of the best free delay vst plugins that can stand up proudly against the best paid offerings on the market.
U-he Updates Plugins Pack 2016 VST - обновление плагинов звуковых эффектов от U-he.U-he Updates Plugins Pack 2016 VSTсодержит: U-he Filterscape 1.4.1.3898, U-he MFM2 2.2.1.3898, U-he Uhbik 1.3.1.3898, Satin 1.2.0.2577, Presswerk 1.1.0.3471.
U-he Filterscape является гибким звуковым программным расширением. Это параметрический эквалайзер. Это - действительный аналоговый фильтр. Это дилейэффект. Это - устройство модуляции.
U-he More Feedback Machine2 является очень сильным процессором эффектов (дилей), демонстрирующий четыре линии задержки с гибким направлением, бесчисленными вариантами модуляции и автоматизации для всех параметров, с удобством и простотой использования в реальном времени и качеством звука.
U-he Uhbik является большой коллекцией программных расширений эффектов для проницательных меломанов, обернутый в красивый, обтекаемый интерфейс.
Satin - процессор, имитатор магнитной ленты. Внутренняя обработка производится на 8 кратном оверсэмплинге, вплоть до 384khz. Все что вы ждете от магнитофона на месте: сатурация, смазывание транзиентов, компрессия, модуляция и пр. Классические режимы шумоподавления (Dolby A-Type / B-Type), недоступные до сих пор ни в одной из эмуляций. Знаменитый трюк с динамическим 'осветлением' вокала 'A-Type Vocal Trick' теперь возможен. Полностью контроллируемая скорость магнитофона: от 7.5ips до 30ips. В зависимости от неё изменяется динамический и частотный отклик модели, а также сопутствующие артефакты.
Presswerk - динамический процессор. Простой в использовании интерфейс и богатый набор функций, дающий практический контроль над всеми деталями вашего звука.
Filterscape is our filter-based sound mangling tool, the ultimate in versatility and control. It can be a parameteric EQ with morphable snapshots, a dual virtual analog filter, a sophisticated delay unit... you can use Filterscape to spice up your music in a myriad of ways. Best of all, Filterscape is a fun environment to work in – the GUI invites you to discover new and radical ways to sculpture your tracks. And it's highly addictive!
More Feedback Machine2 has always been a synonym for ultra-flexible delay effects ranging from bread & butter to weird rhythmic deconstruction. In the early days of native plugins, MFM1 was well ahead of its time. MFM2 carries on the tradition and extends it into the future.
The idea behind MFM was to give the musician as much control over 4 individual delay lines as possible, have them interact, and offer easy ways to modulate delay parameters in realtime.
Uhbik is our fine collection of effect plug-ins for the discerning audiophile. Each surround-capable effect comes wrapped in a beautiful, streamlined interface. The entire bundle of nine effects is available now at an unbeatable price...
Satin. We took a journey back to the Golden Age of magnetic tape recording. We wanted to recreate all kinds of tape machines in software, from the ground up. After many months spent on research, measurement and on developing an architecture that would be flexible enough for the job, we knew we had nailed it...
But we couldn't stop there: We added the old noise-reduction systems that were often (mis)used for timbral compression effects. Then more heads and a global feedback path, which made an uber-tape-delay and realistic 'one-shot' tape flanging possible.
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Users familiar with analogue recording gear should instantly feel at home with Satin, and digital afficionados will also learn to love the magic of tape – Satin invites you to explore and find out for yourself.Presswerk 1.1 released. Contains six new views — easy interfaces for faster workflow and better focus. To introduce the new views we created a Quick Guide to Views.
Presswerk is a powerful dynamics processor with a musical soul. An easy-to-use interface and a rich feature set give you hands-on control over all details of your sound. Presswerk doesn't emulate famous compressors, it blends the warmth of classic hardware models with developments that are only possible in the digital domain.
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Сайт производителя: http://www.u-he.com
Год выпуска: 01. 2016
Разработчик: U-he
Платформа: Windows
Язык интерфейса: английский
Лекарство не требуется(R2R)
Размер архива: 82.1 Мб.
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